All ZTrack features — video editor overlay telemetry, multi-cam, 360° and cinema export

This page is the exhaustive feature list of ZTrack, the video editor overlay telemetry application for GoPro, Insta360 and DJI. If you're looking for the executive summary, read the product overview; if you want plan-level differences see pricing.

Telemetry import and processing

• Native parsers for GPX, FIT, KML, SRT (DJI subtitle metadata), NMEA and CSV — including multi-column CSV with auto-detection of timestamp / lat / lon / altitude / speed / heart-rate / cadence / power columns.
• Per-gauge data sources: a single project can mix a GPX from a phone, a FIT from a chest strap and an SRT from a drone, each feeding a different gauge.
• Sensor calibration: offset, scale, unit conversion (km/h ↔ mph, m ↔ ft, °C ↔ °F).
• Math channels: build a custom data series with a formula referencing other channels (e.g. gradient = Δaltitude / Δdistance).
• Smoothing: moving average, Kalman filter, low-pass — configurable window per channel.
• Interpolation: linear, cubic, Hermite — fills gaps from GPS dropouts.
• Lap detection: GPS-based start / finish line crossing, automatic lap counter.
• Ghost lap overlay: render the current lap against the best lap on the same gauge.
• File joiner: merge multiple telemetry files (e.g. two GPX halves of a single ride) into a continuous session.

Gauge library

63 SVG templates organised in a searchable Media Bin tab. Each template is parameterised: colour, size, position, opacity, animation curve, label visibility, unit display, decimal places. The SVG Overlay Designer (Pro plan) lets you import any vector graphic, bind nested elements to data channels, layer SMIL animations and export a reusable .ZTrack-overlay file. Map gauges plug into 14 tile providers (OpenStreetMap, ArcGIS World Imagery, CartoDB Voyager / Positron / Dark Matter, Google Roadmap / Satellite / Hybrid / Terrain, Stamen Toner / Watercolor) plus a custom URL template, with seven CSS filter presets (grayscale, invert, brightness, contrast, sepia, hue-rotate, saturate) and four packaged styles (Night Mode, Desaturated, High Contrast, Vintage).

Multi-track timeline

• Track types: Video, Audio, Overlay (gauge), Telemetry, Transition (TR).
• Tools: Selection, Ripple, Roll, Rate Stretch, Super-Cut (razor + ripple delete in a single tool).
• Snap / magnet system: cross-track alignment, playhead snap, track-start snap, ghost preview during drag.
• Frame-based timecode (HH:MM:SS:FF) snapped to project frame rate.
• Selection-based split: cut at boundaries, trim to playhead, ripple delete (Shift+Suppr).
• Per-clip keyframe tracks for position, scale, rotation, opacity, anchor — with a Premiere-style graph editor.
• Cross-track clip drag, audio fade handles (4 curves), waveform display with red over-120-dB threshold.
• Multi-clip selection (Ctrl+click), undo / redo with action snapshots, history panel.

Effects, transitions and colour

32 video effects covering colour correction (brightness, contrast, exposure, vibrance, saturation, hue rotate), spatial filters (Gaussian blur, box blur, motion blur, sharpen, unsharp mask, noise reduction), generative (glow, gradient, solid colour overlay), stylise (posterize, threshold, find-edges, emboss, mosaic, VHS, film grain, grain, lens distortion, wave-warp, turbulent-displace), geometric (mirror, corner-pin) and mix (chroma key, luma key, blend modes — 12 modes including multiply, screen, overlay, soft-light, hard-light, difference). Each effect maps to an FFmpeg filter at export so what you see in the preview is what gets rendered.

11 transition types (cross-dissolve, dip-to-black, dip-to-white, additive-dissolve, slide, wipe, clock-wipe, push, zoom, fade, glitch) live as independent timeline blocks on TR tracks. Each carries Premiere-Pro-grade parameters: alignment, 4 easing curves, reverse direction, soft edges, border width and colour. Single-clip transitions (clip-start fade-in, clip-end fade-out) are supported via Sony-Vegas-style handles on the bottom corners of every clip.

Multi-cam, 360° and motion tracking

Multi-cam syncs up to 8 cameras by audio waveform analysis, GPS timestamp or manual offset, then exposes live angle switching during playback (number-key shortcuts). 360° equirectangular footage is supported via a reframing keyframe rig (yaw, pitch, roll, FoV) that bakes a regular video at export. Motion tracking emits keyframe tracks bound to clip position — you can steer a gauge to follow a rider's helmet, or anchor a callout to a moving object.

Cinema export pipeline

Pro and Business plans unlock the cinema_export feature gate: ProRes 422 (Proxy / LT / standard / HQ), ProRes 4444 and 4444 XQ, Avid DNxHD 1080p, DNxHR (LB / SQ / HQ / HQX / 444), GoPro CineForm. A second gate, cinema_raw_import, enables RED R3D (.r3d), ARRI ARRIRAW (.ari / .arx), Blackmagic RAW (.braw), Canon Cinema RAW Light (.crm / .rmf) and MXF containers (Sony X-OCN, Panasonic AVC-Intra, ARRIRAW). Hardware encoders (NVENC, QuickSync, AMF, VideoToolbox) are auto-detected and offered alongside CPU encoding. Standard exports use H.264 (libx264) and H.265 (libx265) with social-media presets for TikTok, Instagram (Reel / Post / Story) and YouTube (Short / 1080p / 4K).

Interchange and collaboration

ZTrack imports and exports FCPXML (Final Cut Pro), EDL (CMX 3600), OpenTimelineIO and Adobe XML — meaning you can hand a project off to a colourist using Resolve or a sound editor using Pro Tools without losing edit decisions. Project Consolidation copies every referenced media file into a target folder and rewrites paths, ideal for archiving a finished project or relocating to a new workstation.

Try it free — download ZTrack for Windows, macOS or Linux. Compare plans on the pricing page.